Vladan Petković (The article continues below - Commercial information) 1669 articles available in total starting from 06/03/2008. Last article published on 23/05/2024. previous page: 1 2 [3] 4 5 6 7 8 ... 165 166 167 next The Georgian Film Institute addresses GNFC controversy at the EFMBERLINALE 2024: Both the government's official Georgian National Film Center and the newly formed, independent Georgian Film Institute are present with separate stands at the market 19/02 | Berlinale 2024 | EFMReview: ElbowBERLINALE 2024: Aslı Özarslan's coming-of-age film set in the Berlin immigrant community and Istanbul stands out for its storytelling economy, unusually dark atmosphere, and thematic variety and depth 19/02 | Berlinale 2024 | GenerationReview: Love Lies BleedingBERLINALE 2024: Rose Glass goes all out in her first US-produced film, a campy combination of crime-thriller and lesbian romance starring Kristen Stewart, Ed Harris and Katy O'Brian 19/02 | Berlinale 2024 | Berlinale SpecialReview: The Wrong MovieBERLINALE 2024: Keren Cytter's formally experimental and oddly engaging film could be described as a piece of kitchen-sink surrealism or a Beckett drama for the digital age 18/02 | Berlinale 2024 | ForumReview: FarukBERLINALE 2024: Aslı Özge returns to docu-fiction and her native city of Istanbul, creating an engaging, personal story with a strong political and social aspect 18/02 | Berlinale 2024 | PanoramaReview: Suspended TimeBERLINALE 2024: A minor entry in Olivier Assayas' filmography is definitely his most autobiographical outing, but is probably among the least engaging 18/02 | Berlinale 2024 | CompetitionReview: DembaBERLINALE 2024: Senegalese director Mamadou Dia deals with mental health and the perception of it, with a distinct stylistic approach that works both in the film’s favour and to its detriment 17/02 | Berlinale 2024 | EncountersReview: ShahidBERLINALE 2024: Narges Kalhor’s film is imaginative and rebellious, combining myriad art forms and discarding cinematic traditions, but struggles under the weight of its own ambition 16/02 | Berlinale 2024 | ForumMusic biopic Sunday is the new box-office hit in the BalkansThe life story of an unlikely music star from the 1990s, Džej Ramadanovski, has sold over 267,000 admissions in Serbia, Montenegro and Bosnia, and opens this week in Croatia 02/02 | Box Office | SerbiaReview: Me, Maryam, the Children and 26 OthersFarshad Hashemi's first feature follows Iranian cinema's tradition of intertwining reality and fiction, and exploring the relationship between real life and cinema 01/02 | IFFR 2024 | Tiger Competition previous page: 1 2 [3] 4 5 6 7 8 ... 165 166 167 next (The article continues below - Commercial information)