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7046 film reviews available in total starting from 04/09/2002. Last updated on 10/06/2024. 753 film reviews inserted in the last 12 months.
LATEST
Bird by Andrea Arnold
20/05/2024
CANNES 2024: British director Andrea Arnold competes for the Palme d’Or with a coming-of-age story that showcases both the beauty and the harshness of growing up in a Kent slum
The Story of Souleymane by Boris Lojkine
19/05/2024
CANNES 2024: Boris Lojkine has made a thrilling, moving and edifying humanist film about three decisive days in the life of a Guinean exile in Paris
Emilia Perez by Jacques Audiard
CANNES 2024: Jacques Audiard masterfully pulls off his incredible gamble on a musical comedy set in the Latino drug world, with a film that warmly embraces the freedom to change
Dog on Trial by Laetitia Dosch
CANNES 2024: Laetitia Dosch directs a zany, funny, intelligent and highly singular first feature centred on a lawyer defending an unprecedented cause
The Invasion by Sergei Loznitsa
CANNES 2024: Sergei Loznitsa returns to present-day observational documentary mode in this panorama of Ukrainian daily life amid the assault by Russia
Across the Sea by Saïd Hamich Benlarbi
CANNES 2024: Saïd Hamich Benlarbi depicts the eventful and soulful journey of a young Maghrebi man seeking his fortune in France
Visiting Hours by Patricia Mazuy
18/05/2024
CANNES 2024: Patricia Mazuy explores an unlikely friendship between two women from very different social classes, played brilliantly by Isabelle Huppert and Hafsia Herzi
Julie Keeps Quiet by Leonardo Van Dijl
CANNES 2024: Young Belgian filmmaker Leonardo van Dijl’s first feature film paints an intimate and brilliantly executed portrait of a young female athlete faced with a painful decision
Mi bestia by Camila Beltrán
CANNES 2024: The devil is in the details in Camila Beltrán’s debut feature, following a teenage girl’s transformation in 1990s Bogotá, as the city readies itself for the arrival of Satan
Kinds of Kindness by Yorgos Lanthimos
CANNES 2024: Being weird for the sake of it isn’t enough to enable Yorgos Lanthimos to craft a compelling cinematic experience, so his new effort remains colourful yet hollow
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