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“I decided to use this fear of mine and make a film out of it”
CANNES 2024: Taking the Danish child killings of the 1910s as his starting point, the Swedish helmer recreates a period Copenhagen inspired by collective memory
19/05 | Cannes 2024 | Competition
CANNES 2024: An overview of the acquisitions, sales, new films and more unveiled at the Cannes market, taking place from 14-22 May
18/05 | Cannes 2024 | Marché du Film
"It’s important to show the machine of organised crime as one which results in death"
CANNES 2024: The French filmmaker chatted with us about his first feature film, a fictional story about a father and a daughter on the run, which is partially based upon a childhood memory
18/05 | Cannes 2024 | Un Certain Regard
“Since I don't believe in conventional documentary anyway, I started to write the story as a fiction”
CANNES 2024: The Portuguese helmer breaks down his aesthetic concept and how he worked with the protagonists of his documentary-fiction hybrid
18/05 | Cannes 2024 | Directors’ Fortnight
Blockframes is an online platform for reporting to financiers, co-producers and talent, all while ensuring compliance with European transparency regulations
18/05 | Industry | Market | Europe
“The challenge for me was to make the silence loud”
CANNES 2024: The director unpicks his first feature, an intimate portrait of a young tennis player who has to contend with her coach’s misfortunes as well as her own secrets
18/05 | Cannes 2024 | Critics’ Week
“I have lived through the experience of exile”
CANNES 2024: In his new film, the French-Moroccan director salutes the dreamers and those who never truly feel at home
CANNES 2024: Patricia Mazuy explores an unlikely friendship between two women from very different social classes, played brilliantly by Isabelle Huppert and Hafsia Herzi
CANNES 2024: Young Belgian filmmaker Leonardo van Dijl’s first feature film paints an intimate and brilliantly executed portrait of a young female athlete faced with a painful decision
“My main concern was making sure the audience doesn’t leave the cinema feeling desperate”
CANNES 2024: The French director behind The Big Hit proves that music really brings people together – even long-lost siblings
18/05 | Cannes 2024 | Cannes Première
CANNES 2024: Overall, things have changed for the better, but women and non-binary professionals still need to claim more space as filmmakers and within major festivals’ teams
“These girls challenge traditions”
CANNES 2024: The Egyptian filmmakers follow an all-female street-theatre troupe that is, and always was, uncompromising
CANNES 2024: The devil is in the details in Camila Beltrán’s debut feature, following a teenage girl’s transformation in 1990s Bogotá, as the city readies itself for the arrival of Satan
18/05 | Cannes 2024 | ACID
"My character is consumed by her dream and her conviction that she is better than what life has to offer"
CANNES 2024: The French filmmaker talks about her debut feature, which paints a vivid picture of a young woman sucked into the mythology of appearance and money via reality TV
18/05 | Cannes 2024 | Competition
CANNES 2024: Being weird for the sake of it isn’t enough to enable Yorgos Lanthimos to craft a compelling cinematic experience, so his new effort remains colourful yet hollow
CANNES 2024: As a singer and a woman in search of freedom, Nisrin Erradi magnetises a poignant, classic yet imperfect melodrama by Nabil Ayouch
17/05 | Cannes 2024 | Cannes Premiere
CANNES 2024: Yolande Zauberman continues to reveal the hidden, nocturnal side of Israeli society with an intimacy of exceptional intensity
17/05 | Cannes 2024 | Special Screenings
CANNES 2024: In the best Romanian tradition, Emanuel Pârvu spins a highly sophisticated yarn in a small village in the Danube Delta where a brutal event sees diverging interests intertwined
17/05 | Cannes 2024 | Competition
“Art has to be pertinent”
CANNES 2024: The visual artist-turned-director brings a satirical bite to the festival, as she shows generations that clash, hoping for a better life
17/05 | Cannes 2024 | Directors’ Fortnight
CANNES 2024: Louise Courvoisier blows in a fresh wind with her first feature, following a young man with his back against the wall who sets out on an unprecedented adventure
17/05 | Cannes 2024 | Un Certain Regard
CANNES 2024: Egypt’s Nada Riyadh and Ayman El Amir follow a group of young women as they challenge longstanding norms by starting an all-female street-theatre troupe
17/05 | Cannes 2024 | Critics’ Week
New Media – 17/05/2024The path “From Telling Stories to Playing Stories” explored at the Marché du FilmCANNES 2024: The relationship that unites various storytelling media, along with the ways in which video games become IPs for narrative adaptation, was the key focus during the panel
Grand Tourby Miguel GomesCannes 2024 - Competition
Agathe Riedinger • Director of Wild Diamond
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